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[Jasmine's POV] One month before Leo's wedding. The countdown sits in my phone calendar like a ticking bomb, marking time until I have to stand beside my brother and pretend I understand how relationships heal when mine is quietly bleeding out. Morning arrives with its usual chaos. Alarm screaming at six, girls needing breakfast and clothes and the particular emotional management required to get two kindergarteners ready without meltdowns. The bed beside me is empty-has been since sometime before dawn when Liam extracted himself for early meetings. Asher never came to bed.
Finn crashed in the studio. I'm alone. Again. Always. I juggle everything with the mechanical efficiency of someone who's perfected the choreography through repetition. School drop-off. Studio session-not with Elijah today, solo work on commissioned tracks. Conference call with my manager about scheduling. The hours blur together, each obligation bleeding into the next without pause for breath. Evening arrives with the men still at work. Texts arrive with practiced apology: Running late-Jazz, can you handle bedtime? From all three. Same message, slightly different phrasing.
The answer is always yes because the alternative is my daughters going to bed without anyone reading stories or checking for monsters or providing the security that comes from parental presence. So I handle it. Bath time, teeth brushing, pajamas, stories. The girls are wired tonight, resistant to sleep, demanding multiple iterations of everything. Zoe needs her specific stuffed animals arranged in exact order. Chloe requires detailed explanations about why the moon changes shape. I provide it all with dwindling patience, counting minutes until they're unconscious and I can collapse. Finally.
Finally they're settling. Zoe's breathing evens out first, thumb finding her mouth in the unconscious reflex she's supposed to have outgrown. Chloe's still fighting, eyes drooping but refusing to surrender. "Mommy?" Her voice is small, sleepy. "Why don't all the daddies read to us anymore?" My hand freezes mid-stroke through her hair. "They're busy, baby. Work is really demanding right now." "Too busy for us?" The question lands with devastating precision. Innocent inquiry from a five-year-old who's noticed what I've been trying to ignore.
That their fathers have slowly, incrementally, almost imperceptibly withdrawn. Not deliberately. Not with malice. Just the natural consequence of competing priorities and limited energy and the slow dissolution happening in every corner of our life. "No, sweet girl." The lie scrapes out. "Never too busy for you." But yes. Apparently yes. Too busy for bedtime stories and family dinners and the constant presence that children require to feel secure. Too busy for maintaining the relationship that's supposed to come before everything else. Too busy for me.
The question guts me because it forces acknowledgment I've been avoiding. We're failing them. Not dramatically. Not in ways that constitute neglect. Just slowly, quietly, through accumulated absence and withdrawn attention and the death of small rituals that used to bind us together. Chloe's eyes finally close. Her breathing deepens, joining her sister's in the peaceful rhythm of childhood sleep. I extract myself carefully, stand in their doorway letting reality crash over me with the force I've been holding back for months. We're living parallel lives in the same house.
Liam's drowning in CEO responsibilities he never wanted, trapped by the company his father tried to destroy and he's killing himself to save. Asher's found refuge in Elena's competence because I can't be the partner he needs anymore-I'm too consumed by motherhood to provide the professional support that makes his life manageable. Finn's lighter around Sienna because she represents uncomplicated joy, creative partnership without the weight of domestic obligation. And I'm starting to look forward to studio sessions with Elijah more than coming home.
Counting hours until I can exist as just Jasmine instead of Mommy-Jazz-partner-glue-holding-everything-together. We're not failing dramatically. No explosive fights or obvious betrayals. Just slowly, quietly coming apart. Death by a thousand small disconnections. Each individual absence feels justifiable-work deadline, office emergency, creative obligation. But accumulated, they become evidence of priorities revealed through action rather than words. I pull out my phone. Text all three men in the group chat: Family meeting tomorrow night. Non-negotiable. The responses come quickly.
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Too quickly, suggesting guilt about tonight's absence. Liam: What's wrong? Asher: Of course. I'll clear my schedule. Finn: Is everything okay? I don't respond. Don't have words for the slow dissolution I'm witnessing. Don't know how to articulate that everything's wrong in ways too subtle to name but devastating in their accumulation. That night, lying alone in the bed meant for four, I open my laptop. Type with trembling fingers: "polyamorous relationships ending." The results flood the screen. Article after article documenting familiar patterns.
How these relationships struggle under external pressure. How society's judgment becomes self-fulfilling prophecy-the constant defense required to justify unconventional choices slowly eroding the foundation you're defending. How complexity requires constant maintenance that becomes impossible when life gets overwhelming. How people who love each other desperately can still fail when logistics and exhaustion and competing priorities create distance that love alone can't bridge. The screen blurs. I'm crying-silent tears that track down my face and drip onto the keyboard.
These aren't theoretical articles. They're prophecy. Blueprint for the failure we're currently enacting. I close the laptop. Stare at the ceiling, counting imperfections in the plaster while my chest constricts with the weight of recognition. We're not special. We're not the exception that proves love transcends structure. We're just four people who thought wanting something badly enough made it sustainable. Three AM. The bedroom door opens. Liam stumbles in with the exhausted shuffle of someone who's pushed too far past reasonable limits.
He strips mechanically, falls into bed, and automatically reaches for me even half-asleep. Pulls me close, solid weight against my back, arm heavy across my waist. "Love you," he mumbles, already drifting. I hold his hand to my chest. Feel his heartbeat against my spine. Let his warmth seep into the cold that's been settling in my bones. "Love you too." And I do. God, I do. Love him with the kind of bone-deep certainty that should make everything else irrelevant.
Love all of them with intensity that feels both blessing and curse-too much feeling spread across too many people, each connection demanding maintenance I don't have capacity to provide. But is love enough when logistics are killing us? When the daily reality of managing four adults' schedules and two children's needs and multiple careers and external judgment requires more than love? When exhaustion makes presence impossible even when desire remains intact?
The question circles endlessly while Liam's breathing evens into sleep and the house settles into the particular silence of 3 AM and I lie awake wondering when trying stopped being enough. Morning arrives with cruel efficiency. Liam's alarm shatters the brief rest I managed, and he's extracting himself with whispered apologies before consciousness fully returns. I hear him shower, dress, descend the stairs. The coffee maker starts, front door opens and closes. He's gone before I'm fully awake, and the space he occupied is already cold. My phone rings while I'm making breakfast for the girls.
My manager, Diane, calling with the enthusiasm that suggests good news she can't wait to share. "The project with Elijah." She's breathless with excitement. "It's nominated for an industry award. Best Production of the Year." My hand stills on the cereal box. "What project? We haven't released anything yet." "Doesn't matter. The buzz is massive. Industry insiders have heard the rough cuts, and everyone's talking. Everyone wants to work with you two." She's talking fast, words tumbling over each other. "This is career-defining, Jazz.
The kind of opportunity that comes once in a lifetime." I should be thrilled. Should be celebrating the recognition, the validation that my work-our work-matters enough to generate excitement before official release. Should feel pride or joy or satisfaction that choosing to focus on music is yielding tangible success. Instead, I feel the walls closing in. Physical sensation of pressure building, air becoming scarce, space shrinking until breathing requires conscious effort. Success in one part of life means failure in another. I can't be everything to everyone.
Can't be the mother my daughters need and the partner my men deserve and the artist this career demands. Can't show up fully anywhere because I'm spread too thin across too many obligations, each one demanding total commitment while I can only offer fractions. The girls are watching me. Chloe with her assessing gaze, Zoe with open concern. Reading my distress with the particular sensitivity of children who've learned to monitor parental emotional states for their own security. "Mommy?" Zoe's voice is small. "Are you okay?" "I'm fine, baby." Another lie.
Building on the foundation of lies by omission and strategic silences and slow drift toward something I don't have words for yet. I finish the call with Diane. Promise to celebrate later, to discuss strategy, to embrace the success. Hang up and stare at my daughters eating cereal while catastrophizing about the choice I'm facing. The choice that's been building since Nashville, since the first session with Elijah, since I started recognizing that being Jasmine-the-artist requires sacrificing Jasmine-the-mother. Something has to break.
The structure we've built-four adults trying to parent together while maintaining romantic connections and professional ambitions-is too complex to sustain under the weight we're asking it to bear. Too many competing priorities. Too many people needing things I can't provide while maintaining my own sanity. The family meeting is tomorrow. They'll all show up. Promise to do better. Commit to more presence. And for a week, maybe two, they'll try. They'll come home for dinner and help with bedtime and attend school events.
They'll prove that intention matters, that wanting to be better counts for something. But then deadlines will hit. Emergencies will arise. Work will demand attention in ways children can't compete with because work is urgent and children are always there, waiting, accepting whatever scraps of attention remain after everything else is handled. And we'll slide back. Slowly. Incrementally. Until we're here again-isolated in our separate obligations, connected by love but separated by reality, wanting to be better while slowly, inevitably failing. The question isn't whether something breaks.
That's inevitable, already happening, fracture lines spreading through every part of our life. The question is what breaks first. The relationship? My career? My sanity? Which piece of this impossible puzzle gets sacrificed so the rest can survive? I don't have an answer. Just stand in my kitchen while my daughters finish breakfast, while my phone holds congratulations for success that feels like failure, while upstairs an empty bed waits for four people who are slowly learning to exist alone. While I recognize with devastating clarity that we're not going to survive this. Not as we are.
Something has to change. Someone has to choose. Sacrifices have to be made. And I'm terrified that I'm the one who has to make them. That the breaking point everyone's been dreading is me. Virgin Dot Com
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